Direkt zum Hauptbereich

Paradise diaries

My Journey took me to Paeroa. My Mum, Sister and me were planing on going for a walk through the bush in Waihi. But we got held up ;)
The town is known for all the antique and vintage stores on main street.
i have to go back at some point to buy....


....the green hat was only 20 dollars :)



           


So walking into one vintage store after the other i came to RUSTY.
As i walked in a cloud of Patchuli insents hit me and i found myself in the a psycho/goa/60s world filled with all sorts of glass talismans and fringe scarfs hanging from the sealing.
Just loved this shop a lot! Had a litle chat with the owner which also explained the name of the shop "RUSTY" because her Artist name is Rusty. I looked through her portfolio lying on an antique woven chair in one of the rooms.
Her pictures were also all over the walls.






I stood in fromt of this piece for about 15minutes! Even when i look at the photograph right now it has quite an impact on me!




(some shop, really liked the name haha)



Stopped at this restaurant my mum was at about 25 years ago.
freaking LOVE MEXICAN FOOD!



Relaxing at the Farm just before driving to Auckland cause i have my first model job 2morrow. 
More to come on that next post :)





MB

Kommentare

Beliebte Posts aus diesem Blog

Jesse Kanda

MB

Egon Schiele by Tim Walker

Photography Tim Walker Styling Jacob K MB

Jason Fox

Jason Fox’s first solo show was held at Feature in New York in the early nineties, just after MoMA’s  High and Low: Modern Art and Popular Culture    (the first major exhibition to address “the relationship between modern art and popular and commercial culture.”)  And only two years before Mike Kelley organized  The Uncanny  at the Gemeentemuseum , Arnhem.  Fox’s work itself acts as a link between these events, and they in turn allow us to chronologically situate his acts of borrowing from both art history and from record sleeves of the seventies.  Although considered as common practice today, this kind of artistic approach was not so widespread at the time.   
 In a recent interview with artist Joe Bradley, Fox explicits his position:  “ The early nineties was another death-of-painting period and to be making expressive paintings that had nothing to do with appropriation was going against the tide. Fro...