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Introducing Khube-Magazine

KHUBE is a fashion/conceptual design Magzine. 
With its square format, it asserts itself as a defender of a culture often forgotten, trying to break the rules and clichés of fashion magazines. 

Themes (fashion, art, literature, music, film, architecture coming from the next number, etc..) Are so unconventional, so as to highlight the new artistic and cultural creation.





KHUBE is platform of expression for creative avant-garde artists whose works are exposed, allowing them to share their world and explain their work in their own words. 
The topics are organized around a theme which defines each number, and the names given to them referring to our senses. 
Thus, the section devoted to the s mode?? Call'd "TOUCH", devoted to the music is called "HEAR", etc.. Modern or Post Modern, already facing international (number 3, published in October is fully bilingual), the magazine is aimed at a young audience at the crossroads of "Digital Natives" (Digital Generation) and future "creators" of fashion, photography, plastic.


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Jason Fox’s first solo show was held at Feature in New York in the early nineties, just after MoMA’s  High and Low: Modern Art and Popular Culture    (the first major exhibition to address “the relationship between modern art and popular and commercial culture.”)  And only two years before Mike Kelley organized  The Uncanny  at the Gemeentemuseum , Arnhem.  Fox’s work itself acts as a link between these events, and they in turn allow us to chronologically situate his acts of borrowing from both art history and from record sleeves of the seventies.  Although considered as common practice today, this kind of artistic approach was not so widespread at the time.   
 In a recent interview with artist Joe Bradley, Fox explicits his position:  “ The early nineties was another death-of-painting period and to be making expressive paintings that had nothing to do with appropriation was going against the tide. Fro...