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Blood is the new Black

Well well well.

It has been a while since B.i.t.n.B. introduced a new collection. but as we see creativity just takes its time.

Naked lovers entwined, zombie monsters rising out of vhs tape graves, outerspace pyramids, a hamburger stuck in a beard, acid trips and rock stars – begins to describe Blood Is The New Black’s Fall/Holiday line, a visionary family making the most, if not testing the limits, of the cotton canvas.

“The line, as always, is a mish-mosh of our artists’ personal styles,” says founder Mitra Khayyam. “I can see nods to astral projection and punk rock. They want to always do something that is next to impossible on a t-shirt. It challenges our printers, and it challenges our customer’s notions of where t-shirt graphics should be placed.”




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"Since the early 2000s, Yvonne Todd has emerged as an uncannily subtle exponent of what might be called The Aesthetics of Meanness, an artist who pursues social discomfort—ours included—as tenaciously as Ansel Adams pursued light on the flanks of Yosemite."         Justin Paton. New Zealand photographer  Yvonne Todd   uses the generic language of commercial studio photography and quotes mainstream pop-culture, but she produces off-kilter images that express a personal mythology. She is best known for her images of female ‘characters’. These portraits are highly styled; using wigs, costumes, makeup and even false teeth. Todd women seem to suffer from some soap-operatic malaise, explicit or implicit, be they cosmeticians, cripples, modest Christians, anorexics, cult members, showgirls or tragic heiresses. Her work has a complex relation with feminism. "My favourite author when I was twelve or thirteen, Virgina Andrews, wrote gothic tale...